Right now Universal and AMC are looking like saints in the exhibition business after taking a kicking in the teeth by rival circuits for their controversial deal last week to crunch the theatrical window to 17 days with an option for PVOD thereafter.
Disney’s announcement after the market closed to bring Mulan to their 60.5M Disney+ subscribers for a rental of $29.99 (and in theaters in those places of the world that don’t have the streaming service) is indeed seismic, unprecedented and stoking fears in exhibitors about their future livelihood.
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Of those exhibitors we spoke to this afternoon, many were blindsided by the studio’s decision. Some rival distributors already saw the writing on the wall, some believing that Disney’s decision to take Hamilton straight to Disney+ over Independence Day weekend was a punch in the face to exhibition; that movie originally intended to be a theatrical event.
“They don’t need exhibition partners anymore! Why would you share your profitability with an outside company?!” cried one owner of a dine-in cinemas chain, “Think about it: if 10% of their subscribers buy into Mulan, that’s $181M Disney makes. If 50% of their subscribers rent Mulan, that’s $906M! That’s money that Disney gets to keep all on their own!”
Mulan, just as COVID-19 was setting in back in early March, came on domestic tracking with a forecasted weekend of $80M+.
“This is a death blow to theaters — did we just lose Disney as a provider? Think about this, every exhibitor has to readjust and start over with everything in their rental deals. If all of the studios are going PVOD, we have to negotiate our terms by occupancy rates; R-rated movies will no longer play at 10am, they’ll play at 7pm and 10pm. We’ve just become a destination restaurant that has an upper level of entertainment. If you’re a mall 20-plex theater — you’re toast,” continued the exhibition boss.
When reached, NATO provided no comment on Disney’s news today with Mulan.
Essentially, no Mulan means no moola for domestic theaters. While some assume that Disney gets the opportunity to cut their marketing costs on a theatrical/Disney+ release of the Niki Caro-directed movie based on the 1998 animated feature, fact is, like Universal/DreamWorks Animation’s Trolls World Tour, Mulan has already been bolstered by a tentpole marketing campaign with a Super Bowl spot, a Hollywood premiere, and the first teaser dropping in early July 2019 during the Women’s World Cup, a stunt that yielded 175.1M online global views (52M from China).
Said MKM Partners’ Eric Handler today about the shocking news “It’s definitely the sign of the times. Disney has been the biggest supporter of the theatrical window over the last several years, and they know how to maximize all windows. We’ll have to see what happens. The more successful it is, the more they have to think about the streaming service as their own PVOD platform. It’s a big test, and some ways it’s a big risk because this has never been done before. It’s a bit of a shock especially since Tenet was dated. They don’t have to wait for the results of Tenet going forward to go ahead with their plan.”
Despite the ire of mid-level exhibition currently, there are some cooler heads prevailing out there about Disney’s pivot today with Mulan.
There are some who do believe CEO Bob Chepak when he said that the Mulan experiment is “a one-off as opposed trying to say that there’s a new business windowing model.” We’re in the middle of a pandemic, Disney released some pretty bad numbers today and Disney+ is the only thing that’s working for them. What’s appeasing and delighting Wall Street is when entertainment congloms adapt and make lemonade out of lemons in these currents times, i.e. creating revenue events out of their finished movies instead of rolling the dice on a big event movie theatrically – which is very risky, right now. Also, some who’ve already seen Mulan, say it’s OK, not great, which could factor against it at the box office in a marketplace that’s not completely restored.
Just like with Universal and AMC’s news last week to shorten windows –which have yet to see if other exhibitors go along with–we don’t know the financial impact of these decisions until movie theaters open up. Uni swears that it won’t shorten the window on a tentpole, that the plan is strictly meant for product that doesn’t perform at an enormous global level, or smaller fare. All of this noise is over what many are theorizing right now, not what’s actually being practiced.
Says one film finance sage who funds feature productions, “Disney has no revenue coming in now, they’re losing money on theme parks, they can’t get TV into production. If 50% of subscribers rent it — well, that’s a lofty projection. It can make between $300M-$400M, but I don’t think it switches anything in the long term in shaking up moviegoing. I don’t think they can do this on a regular basis. There’s still a lot of money to be made in the theatrical windows model. These market conditions are unusual. People rather have a theatrical experience with their family rather than being cooped up.”
Case in point: look at the box office numbers coming out of South Korea and China. People are starved for entertainment, and we’re social creatures. Just look at the number of people who have flooded the beaches and bars as local areas have reopened. Movie theaters have outlived their death knell for generations.
In addition, to despite the immediate Chicken Little-like response from exhibition, let’s not forget the industry records that Disney continually has set at the theatrical box office with $13.2 billion worldwide alone last year. They, along with Marvel, do build their movies for the big screen, and know the power of its resonance down into the theme parks.
Today, the move to put Mulan on Disney+ is arguably a temporary pandemic case of Disney looking out for Disney.
Says one opened-minded small Kentucky theater owner, “Disney should give me Mulan. I’ll play it even if it’s on PVOD. I bet you I do the same amount of business with it even though it’s available in homes.”
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